Critically acclaimed hallmarks of Rajyashree’s presentations have been deep expressivity, rhythmic precision, graceful dynamics, and a penchant for narrative improvisation. These factors, also inherently integral to the learning and practise of Indian performing arts Nāṭya, continue to influence her choreographies. In 1993 she began to conceive ensemble works with young upcoming dancers, at that time an important step from the solo traditional repertoire to thematic formats. With the founding of Rasika Dance Theatre International in 1996 she has been charting out Nāṭya’s potential for cross-cultural, multi-genre stage productions through performative dialogues with artists of varied backgrounds. Many of her choreographic concepts have been funded by state cultural departments or conceived as commissioned work. As a guest choreographer she has worked in multi-media multimodal productions.